It’s all about the flow of the line. Draw a curved line on the page. Set your shoulder and hip. Indicate a ribcage and head. Flesh it out. This is the beginning of finding expression of movement. All these images were all done from my imagination, but the next class will be sketches of live models. I have some understanding of the human body, but I expect to see things I’ve never seen before when looking at a model. I hope to be more aware.